Bitchy Editor is Back

I wanted to tweak my book One of One before I re-released it with a new title and cover. Last summer I gave it a gentle read, cutting more than I expected. Afterwards, I worried I had messed with the continuity, and this fall I decided I best do a quick second pass, just to make sure everything still flowed.

Hmm …. I don’t know what happened to the gentle reader, but when I started on it the second time through, I met my new alter ego. I’ve come to call her Bitchy Editor. She stepped out of my subconscious and sunk her teeth into my first book with a blood-thirsty zeal.

I wanted fast assurance that my text flowed well. She decided to look at every sentence and demand to know what it was doing in my book. Why does this matter? Who cares about this? Why is that in here?

The result was a better book. Maybe a little less charming here and there, but readers will never miss those cute detours I once took.

One of One is now ready for its January 17 release, and I’ve moved on to the same process with Shape of Secrets. Its gentle read happened last fall, and a few days ago Bitchy Editor took over. She’s got all sorts of problems with this book. Why doesn’t anyone here ever use a contraction when they speak? Nobody uses big words like that? What does that even mean?

She’s having a good time, I think. To be honest, it’s hard to tell. Shape of Secrets is taking shape, however, in new and better ways. I’ve set the release date for Monday February 18 and I hope to be ready to thrown this, my second creation, out into the world then with a joyful scream.

Almost my new cover

I love where Deranged Doctor Design is going with this cover. What do you think? I’m having such fun re-birthing my second novel. The newly named and highly edited new version will be out in mid-February and I can’t wait.

Curious to see the first two versions? Here’s the first proposal.

I liked it, but wanted more orange, and more of a sense of the tropics. Also, Zane’s shape-altering abilities force him to forego facial hair in the book, so Zane had to change. Finally, much as I like the lasso of fire, as I called it, on the first book, I didn’t want to commit to having it on all six covers. So here is the second version.

I liked everything about this one but Zane, or more specifically Zane’s head. I could tell we were getting close, though, and we were.

y1 will die

What prompts an author to kill her own book?

On January 1, 2019 my second novel is scheduled to die. I admit the prospect makes me sad. This book, with its fiery sunset-themed cover, has been part of my life for a while.

I finished it in early 2012, and released it on Kindle September 2012. Shape shifter Zane and his unique crime solving skills were a source of pride and joy.

As with my first book, x0, I’ve never totaled up the exact sales, because it’s not easy to separate a sale from a give-away. I’m pretty sure I’ve been paid for at least three hundred copies, and have gifted at least as many more. I’d hoped for more sales, of course, but every time a stranger liked my book and let me know, it delighted me. No regrets.

Times change. Sales of y1 have gone from small to nearly zero.

A few months ago, I attended a conference of science fiction writers, and signed up for a mentor. It may have been one of my more useful decisions. This guy pointed out that I could still have a marketable product in this particular story, but I needed a more genre-appropriate cover, a much better title, and an updated and aggressive marketing plan.

I can change the title of my book? Apparently I can. I do need a new ISBN number (no problem). I also need to acknowledge to the new reader what has been done (just in case he or she is one of the 600 humans who already read this story.)

And …. I need to kill y1. That is, I must take it off the market completely. No electronic versions for sale, although those who have it obviously always will. No new paperbacks printed and sold, although nothing can prevent current owners from reselling their copies on Amazon and elsewhere.

Over the years, I’ve eliminated all the hyperlinks in the book, and the text that went with them. I’ve made corrections and done minor clean-up. Why not. But I’ve refrained from doing anything major.

Because this will be a new book, I have the chance to do some serious editing. So I have. The original y1 came in at just under 125,000 words. The leaner new version is under 103,000. I’ve broken the chapters into smaller chunks. I’ve given more attention to point of view. I’ve taken the techniques I’ve learned over the past six years, at conferences, from other writers, and simply from practicing my craft for hours every week, and I’ve done my best to fold those learnings into telling my story better.

I’m pleased with the result.

So while y1 will soon cease to exist, it will give birth to a new and better novel. I’ll be blogging all about it soon

Day 15. As Nice as I Want to Be

Participating, as opposed to standing around gawking, is valued here, so as I planned this trip I sought out a place where I could contribute to make the magic happen. It’s Monday morning. The dust is resting and the sky is blue here at Burning Man and I’m off for my first shift as an assistant stage manager for the Center Cafe.

I like the idea of this stage, where only original material is performed twenty-four hours a day. Years of writing self-published science fiction has left me with a huge soft spot for artists of all types who summon up their inner muse and then unveil those fragile creations in front of a potentially hostile world.

When I arrive, I find a universe that is gentler and more accepting than I hoped. Staff and performers hug, compliment and encourage. Some acts are polished and great fun to watch. Others are raw creations, not ready for prime time elsewhere. Yet, they are cheered on by this coffee-sipping audience that seems to understand the fragility of nascent artistry .

I receive quick and generous praise from everyone for being a warm, helpful and happy human. How odd. Is this worthy of praise?

Then it occurs to me. Back in the default world, I often work at being less helpful than I want to be. Less warm, less encouraging. I make an effort to smile less. I’ve had decades of signals from others that my natural behavior is at best odd and at worst downright annoying.

Here? I’m not doing that. And they seem to like it. A lot. Wow.

After four joy-filled hours of finding kind words for everyone that crosses my path, I’m high as a kite. I’m being myself and it is more fun than I’ve had in a long while.

Burning Man is considered by many who don’t know much about it to be a yearly drunken and drugged-out Bacchanalia involving sex, nudity and general bad behavior. Yes, I suppose there is some of that, though I’ve encountered little to none.  Camp mates tell me most of the hard partying I’ve heard of will happen late in week when non-participants pour in. The little that is happening now? You really have to go looking to find it.

Thanks to people I’m close to, I already know of other sides to this event. There is the self-reliance of erecting what is essentially a tent city for 80,000 in a place where the alkaline soil is so damaging that there is zero plant and animal life. That’s right: no cacti, no lichen, no ants, no scorpions, no bugs. Nothing lives here, except for a lone type of microbe in the soil. And 80,000 people for one week every year.

There is also a sense of community. We help each other; we give gifts of words, actions and things. As I leave the Center Cafe I wander around, stumbling on the sizable AA area set up to encourage burners who need to avoid altered states. I stop at the mobility camp, providing aid to burners likely to find life here even more challenging.

I can see the temple in the distance. Each year it is designed by a different artist. Over the course of the week it will be filled with notes and photos and memorabilia from those who have died this past year, along with musings and memories that are meaningful to this year’s participants. Sunday night, after the man has burned and the weekend crowds are gone, the temple will be set aflame. I’m already fascinated by this and I pause outside the tent of the temple guardians. Maybe one year that will be me ….

I climb a platform to look over this rapidly growing tent city. I found it a little presumptuous when I entered on Saturday and was given the traditional greeting for this event. Welcome home.

This isn’t my home, I thought then. But now, I can see how in some way it just might be.

Today’s rule of the road? It is a bad idea to pretend to be meaner or more miserable than you are, just to make meaner and more miserable people like you.

Today’s song? I had a few ideas for this one, but I finally settled on Jewel performing with a live orchestra. Give this video a few seconds, she does appear and I’ll think you enjoy what you see.

 

 

 

 

Be Yourself? Which self?

“Just be yourself.” I’ve been given that suggestion hundreds of times, and it was particularly unwelcome coming from my waitress who I suspected had indulged in a few too many free shots at the bar.

In a way, it was my own fault. I’d broken one of my cardinal rules and shared a piece of personal information with this complete stranger. Once she knew I was apprehensive about meeting my fellow diners, she proceeded to offer a steady stream of unwanted advice until they arrived. This morning I’m still miffed that my oblivious husband tipped her 20%.

But bad restaurant experiences aside, that is a horrible piece of advice. Pretty much anything you do or say is yourself. Some sides of you are more likeable, or more fully developed, or more integrated into the whole you, but if it is coming out of your mouth without an intent to lie, it is you.

The problem is that we are all complex creatures. I have a squeamish side that gets nauseous at little things. I also have a this-is-an-emergency side that steps in and deals with the grossest of injuries if need be. I’m not faking either one. I’m not a simple person, and neither are you.

So when people tell me to be myself, my answer is “which self?” I’ve got at least dozen different genuine responses in my head to anything you have to say. Some may lead to a budding friendship, others to hostility. Over time you might get to know most of those sides of me, but which one do I let you see first?

This dilemma of defining the real me has recently spilled over into my writing, or more accurately into the marketing of my books. I love my book titles and my book covers. They are the real me. However, I’ve been told by those I respect that neither titles nor covers are helping me sell books.

After quite a bit of reflection, I’ve decided that being effective is also the real me. I’m practical and I like to achieve my goals. My goal is to find more readers. So, the real me is renaming my books and has sought out a professional to provide covers that will be a lot more like the one shown here. (It is for someone elses book about an appearance changer.)

What will those new names be? I’m having a lot of fun deciding on them. What will the new covers really look like? I can’t wait to find out. I’ll be sharing some of both here over the next few months, and if all goes according to plan a new crime novel about a gay genius who can change his appearance will be released in early January 2019.

The real me can’t wait.

 

I love to be loved

I’m on a difficult quest right now. I’ve produced something amazing, I think, and I’m not sure what to do about it. The product is six novels. Their cost has been most of my free time for six years. The answer to my quest lies in why I wrote these books to begin with. So, I’m forcing myself to take a deep dive into my real motivations, no self-delusions allowed.

Why do I write?

Yeah, I’ve establish that I write for fun and to learn things, both of which have been terrific, by the way. I write for the less admirable reason of keeping myself sane, or at least having an outlet to explore the darker things in my head. I think that one is going fairly well, too. I do write hoping to make a little money, and that one hasn’t worked out as well as expected.

The hardest one to admit? I write to be cool. To be admired. To be praised. For the little bump of status it sometimes gives me even while thinking I’m above such things and don’t care what others think of me. Because of course I do care, as we all do. What varies is how much we care, and how much we let it control our actions.

Much of each of my main characters is me, and I suppose that is typical. Zane, the hero of y1, is an A student who is used to commendations and who struggles when others deem him average or worse. I had a start in life much like Zane’s, leaving high school as editor of my school paper, an almost solid A student with a cup full of debate and speech medals.

Zane struggles to make A’s in his work place just as I did in mine. This exchange between Zane and his new boss came from my heart.

“Zane, this is just perfect. Just the way I hoped you would grab onto this project.”

Zane thought about how very good it felt to have someone be proud of him. He was getting an “A” again. He was Brainy Zany. Goddammit, he had missed that guy.

This raises the question of whether writing novels has really done much to make me feel valued.

Well, it seems to have impressed family and friends, but one would hope that would be the case. I’ve also had some great reviews from total strangers and I admit their praise has made me glow inside.

Writing is not a great way to get nothing but praise, however. The first review from someone who hates your book is crushing, and inevitable if you are getting a lot of real reviews from strangers. For every acquaintance at a party who was impressed by the idea of my novels, I’ve met two bookstore owners or other authors with better pedigrees who turned their noses up at me.

The highs are high, but the lows are plentiful. If I really was doing this for love and admiration I would be far better served adopting a puppy.

Yet, we all crave what we crave and I apparently want to be appreciated and admired as a writer. So be it. Guess I have to keep at it, learning and improving, until what I write is worthy of the all the praise I hope for.

(Read more about why I write at The Number One Reason I Write Books, My Eye-opening Second Reason for WritingI write because it’s cheaper than therapy, Nothing cool about modest ambitions and Remember My Name.)

 

 

 

The Number One Reason I Write Books

I write books. Why?

It is a reasonable question. I recently started participating in writer’s groups again and much about them has got me thinking.  A women well into her second novel told me of an acquaintance who has made it to the New York Times Best Seller list. Wow. Something to be in awe of, of course. My critique group-mate is also in awe of the woman’s process. To paraphrase, she read the top ten fiction books at the time, analyzed what they had in common, and wrote the perfect hybrid book, designed to succeed. And it did.

All I could think was “what a miserable way to write a book.” That brought me round to the essential question of this post. If I’m not writing to make a best seller list, what am I doing? I tried to be brutally, unflatteringly honest and I came up with seven reasons I choose to spend most of my free time on my laptop creating books. Some of them are pretty stupid.

This post is about the first answer that popped into my mind. It may not be my biggest reason, but it may be the one that keeps me writing novel after novel.

I have fun doing it. In fact, I have more fun making up a story than I have doing anything else. Yes, even that (although it is close.)

Don’t misunderstand. I don’t particularly enjoy rewriting, or proofreading, or formatting or all the other chores that take 80% of my writing time. I do enjoy research, but not that much. I hate marketing. I don’t do much outlining. But I love, absolutely love, making up stories and putting them down on paper.

I’ve told myself tales in my head for as long as I can remember, but committing the story to typed words moves it from an ephemeral daydream to a real thing. It can become more complex, be improved, and be reread and enjoyed. Seeing the words in front of me makes it better, and allows me to tell far longer tales.

The best part of it? It is finding out what happens. I always have an ending in mind, but I never know how my characters are going to get there, and they continually surprise me. They morph into better or worse or more complex people than I intended, they develop points of view I never considered, and they come up with ingenious solutions I swear I would never think of. (Or is that impossible?)

For me, that first draft is like watching a movie or reading a book except it is in a setting I picked, filled with characters I resonate with, and about things I like. Once I’ve got a story going, I can’t wait to get back to writing to figure out what will happen. Other forms of entertainment seem boring by comparison. I like my own stories better.

There you have it. Goofy but real. I write for my own entertainment.

Are there other reasons? There must be. I keep doing the other 80 per cent of the process over and over as well, no matter how much drudgery it is. Why? Perhaps the reason lies in the other six reasons that occurred to me. Those will be the subject of another post.

(Read more about why I write at My Eye-opening Second Reason for Writing , I write because it’s cheaper than therapy, Nothing cool about modest ambitions, I love to be loved and Remember My Name.)